A rose is a rose

Anyone who reads books has heard about The Namesake, written by Jhumpa Lahiri. It won the Pulitzer prize and was on the bestseller list too, the blurbs tell us. Mira Nair even made a successful movie on the book.

A friend of mine who read the book raved about it, and lent it to me. Luckily I had some free time on my hands at the time and read through the book almost at a stretch.

The book started a little jerkily, just before the arrival of Gogol in the world. Ashima Ganguly, displaced from Calcutta to USA, is yearning for taste of home in her pregnancy and has made a bit of chivda (or whatever the bengali's call it). She suddenly feels the labour pains coming on and is rushed to the hospital. She gives birth to a baby boy. Ashima and her husband Ashoke cannot even think of abandoning the conventions of their culture. Back home, the baby would have been named lovingly by some elder in the family. In fact, the name is on the way, posted by way of a letter. The baby's formal name is put on the hold, and the child is given a pet name, Gogol. Through a series of circumstances, Gogol never acquires a formal name.

The story, of course, is about how easily Ashima and Ashoke balance their Bengali and American way of life, and how hard it is for Gogol/Nikhil to do that. His attitude towards his name reflects his attitude towards the Bengali way of life and also towards the American way of life. He goes through his life, picking up american girlfriends, and an indian wife. How he finally makes peace with himself when he says at one time "Actually there is no such thing as a perfect name".

As we live, we learn more about ourselves (atleast some of us do). And it is these lessons that are the most valuable.

However, the standout point of the books is not so much the theme, good as it is. The standout point is the style and language. NEVER PRETENTIOUS. So much so, that the first couple of chapters almost sounded humdrum to me. Then the effect kicked in. The author was skillfully picking up sounds inside the heads of various characters and relaying them to us. She knew exactly how much to tell us about the character and at what time. Some facts are held up to whet our curiosity, and when we learn about them, it makes shivers run through us.

I was blown away because the story is so ordinary, and is so well told that it seems extraordinary.

I have always loved the short stories of Nikolai Gogol. He was a favorite of Ashoke Ganguly as well. He was once in a train accident when he was a young man in India, and reading a book by Gogol at the time. This accident and his surivival is his most life-altering moment, and is inextricably linked to Gogol. When time comes for him to name his firstborn, he thinks of Gogol. His son does not share his sentiments fully and hates Gogol the writer. At the end of the book, when he is at peace with himself, he picks up a book by Gogol, gifted to him by his father, and starts reading it.

Our names are the legacies bestowed upon us by our parents. Ram Khilawan may get a fancy schooling later and try to mask his downmarket name by calling it RK, or Ram K Prasad. Not being named flamboyantly like Amitabh Bachchan, poor Jatin Khanna calls himself Rajesh Khanna. Ava wrestles with her unusual name and bears the jibes of her classmates and some insensitive elders. What kind of a name is Ava? ask the philistines who never heard (in those times) of Ava Gardner.

But alas, I do not have the writing style of Jhumpa Lahiri and cannot write a book about my ordinary life and make it linger in the minds of readers like the fragrance of fresh jasmine.

The Namesake

THE BUZZ:

GOOD MOVIE, GOOD ACTING, GOOD STORY


THE THEME:

THE NAMESAKE comes to us with impressive credentials. Mira Nair has given us movies that entertain and provoke. Sooni Taraporevala is an acclaimed photographer and scriptwriter. Jhumpa Lahiri’s novel was well received. Tabu needs no introduction as a serious and accomplished actress. Likewise Irfan Khan always comes up an impressive performance. Kal Penn is the face of overseas Indian perpetually dealing with the angst of being an alien in a land where he was born and brought up. The character actors like Ruma Guha Thakurta, Sabyasachi Mukherjee, Tanushree Shanker, are all names to reckon with.

THE SHELL

Born in the USA, bred of Bengali parents, torn between two cultures. That is the shell of the Namesake. Those who have read the novel will have a fair idea of what is to come.
Those who haven’t, can enjoy the surprise. Big names and the hat-ke movie will draw the discerning crowds to the cinema halls. Reviewers are expected to praise the movie. In all fairness, the movie is likely to be worthy of it.

For a full list of credits check http://www.imdb.com/title/tt0433416/fullcredits

THE FEEL:

You are not likely to find houseful boards there just yet. But the sale might pick up. No rickshawallahs in the hall to whistle along with the proceedings. A MUST SEE FOR THE REGULAR MIDDLE CLASS UPWARD CROWD THAT HUNGER'S FOR GOOD DECENT MOVIES TO WATCH. Movies that are like movies and less like kitsch.


THE SPIEL:

When Bend it like Beckham released in India, it was a huge hit. The cinema hall was full of young college going crowd and several ‘families’. Their empathy with a dark skinned girl who just wants to play football and make out with her cute coach was total. The movie was ‘dil se’ and real. Ever since then, this crowd of filmgoers has been adopting wholeheartedly movies by Gurinder Chadda, Mira Nair, Deepa Mehta which speak about the Indian diaspora, albeit on the celluloid.